Call and response: Daily commute version

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chris caines

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06

07 2010

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  1. 1

    That’s a pretty extraordinary piece there. All those repetitions of soldier faces had me thinking that it was some of your post pro wizardry at work. That hyperclarity of image kind of reminds me of revolutionary poster art. It’s interesting how the aesthetic fits the scene – and then the Toshiba sign in the background disrupts the carefully stage managed u/dys-topic vision. Things that make you go hmmmmmmmm…

  2. 2

    It has an extraordinary quality doesn’t it? Its like a Matthew Barney setup with the torsos popping up out of the two cars and the bellowing through the ritual 4 microphones, lovely.



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